The whole cast of Taxi play themselves with the exception of Danny DeVito who cannot as he is already producing the film and playing George Shapiro (one of the main parts). Not only that, but for the most part playing themselves in the film. Probably due to most of the cast knowing Andy personally. At least for the members of the audience who were previously unaware of Andy Kaufman. In the end, it's not the film you thought it was going to be. The movie sets the tone of the film early on and completely changes from around the half way mark - in line with the discovery of his disease. The audience follow Andy's life from his early childhood to his death from lung cancer. Man On The Moon is a comedy/drama about the life and unconventional comedy of Andy Kaufman. This is a marvelous comedy with plenty of memorable moments. If you look up some of Kaufmann's stunts they're identical as to how they are portrayed in the film. Despite not everything being factual, what was an actual occurrence was shown in a highly realistic and accurate sense. Woody Allen must have thought so since he casted DeVito as a comedians agent four years later. Danny DeVito also plays a common role for himself, but he did his job. Jim Carrey, was an obvious choice, (despite this not being a break out role for him) he did an excellent job portraying Andy Kaufmann. The film has plenty of golden moments, and I can't say I'd remove or even cut down any scenes if I was in Milo's Formans position. What this film does tremendously is it keeps you guessing on what's a goof and what's not until the end. I've heard of Kaufmann before, but not being alive during his era I never knew who he was as a performer.
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This is an imaginative and ambitious 55 minutes but I do not feel that it has made significant progress in the problem of how to handle opera in the age of the microphone.Man on the Moon is a stunning biopic on the adult life of Andy Kaufmann. Nathan Gunn as Buzz and Patt Racett as Mrs Aldrin are most effective during the duet when they are breaking up. Musically, the most successful parts are the chorus of mission controllers and the launch music itself, which is instrumental. Much of the music is dangerously close to recitative, with a conversational vocal line and orchestral accompaniment. Presumably the performances were dubbed but this was not particularly noticeable since it is much easier to mime when you are not singing operatically. The piece is not particularly operatic in style since the singing is done sotto voce into a microphone. There is a lot of time shifting, so events before, during and after the landing are juxtaposed. We see his optimism, with his family around him, before the moon landing we see his disappointment at being second to Neil Armstrong and we see his alcoholism, depression and divorce in the anticlimactic years after he has been an astronaut.
I suppose they are cheaper and if no-one is watching what does it matter? This year's offering, Man on the Moon, by Jonathan Dove tells the story of Buzz Aldrin, the second man on the moon.
For the last couple of years it has broadcast short, specially-commissioned television operas. There was a time when Channel 4 used to record an expensive opera production for broadcast on Boxing Day.
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